Behind the camera:
Where: Just outside a temporary settlement called, Pea-Pickers Camp, on the outskirts of Nipomo, California. The camp was a temporary encampment for migrant farm workers and their families
Photo Summary: Florence Owens Thompson flanked by daughter Katherine (age 4) on the left and Ruby (age 5) on the right. The Baby on Florence’s lap is Norma aged 1
Picture Taken: Early March, 1936
This image is in the public domain because it was taken by Dorothea Lange
Colorized version of the iconic Lange image
Dorothea Lange’s famous picture of Florence Owens Thompson was taken during the Great Depression. While the book, Grapes of Wrath, became the literary representation of America’s poor during the ’30s, Lange’s ‘Migrant Mother’ picture became the visual one. Lange took the image of Florence Thompson with her family near the small town of Nipomo as part of a photo assignment for the government covering the plight of migrant farm workers. The official in charge of documenting and photographing the American poor for the federal project saw thousands of pictures as part of duties but describes the “Migrant Mother” as the “ultimate” photo of the Depression Era. The picture itself is part of a series of 6 and shows from left to right: Katherine age 4(head turned), Florence Owens (later married as Thompson) age 34, and Ruby Owens (head turned) age 5. The Baby on Florence’s lap is Norma aged 1.
Depression photographer
Dorothea Lange, the photographer was born in Hoboken New Jersey on May 26, 1895. At the age of seven, she developed polio which ravaged her right leg giving her a life long limp. In New York, she studied photography, and in 1918 she moved to the West coast opening a successful portrait studio in San Francisco. After the Great Depression, she became famous for her portraits of the effects of the stock market crash. Her pictures got the attention of the federal Resettlement Administration (RA), later called the Farm Security Administration (FSA), who in the mid ’30s offered her a job documenting America’s poor.
Taking the Picture
It was during March 1936 that as part of her effort to photograph migrants for the government that she took the famous shot of Florence Owens Thompson. Lange was returning to her Berkley, California home after spending a month taking pictures of migrant farmers around Los Angles. She had just passed through Santa Maria and was on the outskirts of another small Californian town, Nipomo when she saw a sprawling settlement with a sign declaring its name, Pea-Pickers Camp. Thousands had descended on the camp in hopes of getting work picking Peas in the surrounding farms. Unfortunately, an early cold snap had wiped out the crop and over 2000 people were stranded at the camp. Lange actually passed the camp as she was anxious to get home but after much internal debate decided to do a quick stop before continuing home.
Dorothea Lange took a number of pictures of the family moving closer and closer each time.
A U-turn brought her back to the camp and she quickly noticed a subject. In a 1960’s interview, she would recall that “I was following instinct, not reason, I saw and approached the hungry and desperate mother, as if drawn by a magnet.” Over 10 min and using her Graflex camera, she took 6 shots, with each exposure she moved closer to the family. The final vertical picture is what would later become the famous, “Migrant Mother”. The usually well organized Lange took detailed notes, but perhaps in her haste to get home only got the very basic of information, not even getting the subject’s name. Years later she would remember that the woman, “told me her age, that she was 32. She said that they had been living on frozen vegetables from the surrounding fields, and birds that her children killed. She had just sold the tires from her car to buy food. There she sat in that lean-to tent, with her children huddled around her and seemed to know that my pictures might help her, and so she helped me. There was a sort of equality about it”. She packed up her equipment and continued on her way, “I did not approach the tents and shelters of other stranded pea-pickers,” she remembered. “I knew I had recorded the essence of my assignment.”
When she returned home, Lange developed the pictures and immediately sent them off to the San Francisco News who used two of the 6 shots but not the now famous, “Migrant Mother”. The paper ran the images in their March 10, 1936, edition under the headline: “Ragged, Hungry, Broke, Harvest Workers Live in Squalor.” The national media quickly picked up the story and used the “Migrant Mother” picture across the country. Public outcry ensured that the federal government quickly sent the “Pickers Camp” settlement 20,000 pounds of food.
Florence Thompson Emerges
The identity of the women in the picture wasn’t discovered until the late 70’s almost 40 years after the picture was taken. It was Florence Thompson herself who got in touch with the editors of her local newspaper, the Modesto Bee to tell her story.
Florence Owens Thompson was born on September 1, 1901, in the Indian Territory of the Cherokee Nation with the name maiden name, Florence Leona Christie. Both of her parents claimed Cherokee blood rights to the land making her a full-blooded Native American of the Cherokee Nation. She lived on a small farm on the Cherokee Territory and when she was 17 married Cleo Owens, a 23-year-old farmer. They had three children before they moved with other members of the Owen family to California where they found work in the forestry and farming industries. After Wall Street crashed in 1929, millwork dried up and the family, then with 5 children moved to Oroville in northern California where the Owen clan found work on the surrounding farms.
We lived under that bridge
– Thompson
Florence’s husband Cleo, sadly died shortly after the move when he caught a fever one day while picking peaches. At the time of his death, she was pregnant and the Owen family offered to take some of the children, an offer Florence refused. She stayed with her husband’s family for two years working in the fields during the day and at a restaurant at night to support her family. In 1933 she found out that she was pregnant again and fled back to her parent’s home out of fear the father would take her child.
She lived with her family for a short time before they too moved out to California in hopes of better work. Over the next few years, the family along with thousands of migrant workers drove up and down California, camping along the way, in search of farm work so that she could feed her and her children. In 1935 she started a relationship with James R. Hill and soon she was pregnant again, eventually giving birth to a girl, Norma Lee in March of 1935. With Hill she had three more children, life was hard and they moved constantly throughout California always just making it, just getting enough food on the table. Thompson would later recall, “when Steinbeck wrote in The Grapes of Wrath about those people living under the bridge at Bakersfield—at one time we lived under that bridge. It was the same story. Didn’t even have a tent then, just a ratty old quilt.” Hill who was remembered by her daughter as not having much ambition, eventually moved out of the family’s life and after World War II she married hospital administrator George Thompson who Florence was finally able to find stability with and resources to support her family.
Not what she seems
Around the same time, the Modesto Bee article was published, author Bill Ganzel was writing a book, Dust Bowl Descent, about people photographed by the RA during the depression. During his research, he came upon Florence Thompson’s story, tracked her down in 1979. During his interviews, he was able to get Florence and her family’s version of what happened when Lange pulled into the camp and took their picture.
In March of 1936 Florence then still with Jim Hill had finished work picking beets and were off to the Pajoro Valley in their Hudson Sedan in hopes of finding work in the Pajoro Valley’s lettuce fields. On Highway 101, just outside Nipomo, the Hudson’s timing chain broke and they were able to get the car into the pea picker’s camp in hopes of making repairs. They were amazed at a number of people in the camp and the conditions they were living in. Florence would later recall that while making a meal for the family children from the surrounding camps came over to beg because they didn’t have any food. Disaster struck when the boys punctured the radiator with a screwdriver while trying to fix their car. They then had to remove the radiator and take it to town in order to do repairs.
While the boys were in town Dorothea Lange came into the camp and took her pictures. In Lange’s field notes, she described the family as, “Seven hungry children. Father is native Californian. Destitute in pea pickers’ camp … because of failure of the early pea crop. These people had just sold their tires to buy food.” Florence insists that Lange never asked her any questions. According to Florence she just took the pictures and told her that they would never be published and her family would later tell Bill Ganzel, “There’s no way we sold our tires, because we didn’t have any to sell … The only ones we had were on the Hudson and we drove off in them. I don’t believe Dorothea Lange was lying, I just think she had one story mixed up with another. Or she was borrowing to fill in what she didn’t have.”
When the story broke and the food was delivered to the Pea Pickers camp, the Owens-Hill family had already moved on and reached their destination, the outskirts of Watsonville, in Pajaro Valley.
Mama’s been shot, Mama’s been shot
Thompson’s kids
It was here while selling newspapers to make extra money that the family saw the front cover with their mother’s picture. Due to a typing error, a large ink spot appeared in the middle of Florence’s forehead and first the children thought that their mother had been shot. The boys remember running back to where their mother was camped screaming, “‘Mama’s been shot, Mama’s been shot,’ … We both ran back to camp, and, of course, she was OK. We showed her the picture, and she just looked at it. She didn’t say nothin’.” In 1979 Bill Ganzel recreated the “Migrant Mother” taking a picture of Florence Thompson and her three daughters, Norma Rydlewski, Katherine McIntosh and Ruby Sprague the same three who were present in the 1936 picture.
Florence always hated the picture and whenever she saw it would get angry because she thought Lange was getting rich off her image. However, because Lange was taking the picture for the federal government she never directly received any money. The picture did provide Lange celebrity and respect from her colleagues. Lange’s childhood polio would come to haunt her in her later years and she suffered from bleeding ulcers and post-polio syndrome. On October 11, 1965, she died at the age of seventy without ever knowing who the subject was in her famous picture.
Life moves on
Florence’s extended family grew through the ages and she passed on her legacy of hard work and loyalty to her 10 children, 39 grandchildren, 74 great-grandchildren. She always hated the picture but in 1983 it would come in useful. In early 1983 then 81 Thompson was diagnosed with cancer. Treatment of the disease triggered a stroke and she soon required round the clock care. By the summer of 1983, her bill was reaching $1400 a week. The family couldn’t afford it and turned to the public. Jack Foley of the San Jose Mercury News picked up the story and it got national attention. Soon envelopes started pouring in from all over the country eventually raising more than $35,000. Florence’s children were overwhelmed by the response and reflected that “None of us ever really understood how deeply Mama’s photo affected people … I guess we had only looked at it from our perspective. For Mama and us, the photo had always been a bit of a curse. After all those letters came in, I think it gave us a sense of pride.” The response of the nation seemed to improve Florence’s health but she never recovered from the stroke. On September 16, 1983, Florence Thompson died at her son’s home. A nurse who was helping out with her care recalls, “Right before Florence died … she opened her eyes and looked right at me. It was the most conscious she had been in a long time. I went to get the family. They were holding her, kissing her cheek, stroking her hair. Telling her how much they loved her. And then she took her last breath. It was a beautiful, very peaceful moment. It felt very complete.”