Falling Soldier

Behind the camera: Robert Capa
Where: It was for decades thought that the shot was taken at Cerro Muriano on the Cordoba Front. However new research has determined that the photo was taken 30 miles (50 km) away, near Espejo, a Cordoban town
Photo Summary: A Spanish Republican (Loyalist) soldier supposedly the moment he is struck by a bullet. The soldier was identified as Federico Borrell García based on the assumption the photo was taken at Cerro Muriano.
Picture Taken: September 5, 1936 around 5:00PM

Robert Capa, a photo journalist, arrived in Spain in August 1936 to cover the Spanish Civil War, which had broken out a few weeks before. During his coverage as a war photographer, he took the famous Falling Soldier image. The image came to symbolize the Civil War between the Spanish government and General Francisco Franco’s fascist rebels. In World War II Capa would later take another famous image on the D-day Normandy beaches.

Taking the photo

 

The subject of the photo taken before his "death shot". He is standing on the far left

The original title was Loyalist Militiaman at the Moment of Death, Cerro Muriano, September 5, 1936. The Falling Soldier was first published in the September 23, 1936, issue of the French magazine Vu. The Vu article read, “With lively step, breasting the wind, clenching their rifles, they ran down the slope covered with thick stubble. Suddenly their soaring was interrupted, a bullet whistled — a fratricidal bullet — and their blood was drunk by their native soil.” There was no mention in the article on where the picture was taken. Then on July 12, 1937, Life magazine published an article with the Capa image and the caption, “Robert Capa’s camera catches a Spanish soldier the instant he is dropped by a bullet through the head in front of Córdoba.”

Robert Capa

Robert Capa was born on October 22, 1913. He was born with the name Endre Ernő Friedmann in Budapest, Hungary. When he was 18 he left Hungary for Germany but when the Nazis took power he emigrated again to Paris. It from Paris that he went to Spain to cover the Spanish Civil War. After Franco defeated the Republic Capa returned to France until the Nazi invasion upon where he left for America. He went on to become a celebrated war photographer covering five different wars: the Spanish Civil War, the Second Sino-Japanese War, World War II across Europe (He was the only “enemy alien” photographer for the Allies), the 1948 Arab-Israeli War, and the First Indochina War. His two most famous pictures are the Fallen Solider and his image of the 1944 D-day Normandy invasion. In 1947, Capa co-founded Magnum Photos with, among others, the French photographer Henri Cartier-Bresson. Magnum Photos was the first cooperative agency for worldwide freelance photographers. In 1947 Capa travelled to the Soviet Union with his friend, John Steinbeck. When he was leaving the country Soviet officials wanted to look through his undeveloped images. Capa refused to give them access unless Yevgeny Khaldei developed them. Capa had befriended the photographer while the two covered the Potsdam Conference and the Nuremberg Trials together. Both men were hard-drinkers and recognized as playboy lady killers.
On May 25, 1954, at 2:55 p.m. Capa was with a French regiment in Vietnam when he left his jeep to take some photos. While walking up the road he stepped on a land-mine and lost his leg. He was quickly rushed to a small field hospital but was pronounced dead on arrival due to massive trauma and loss of blood.
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Faked?

The hand of the solider supposedly showing his hand in a death grip.

The hand of the solider supposedly showing his hand in a death grip.

Starting in the 70s historians began to question the authenticity of, Fallen Solider’s image. Much of the confusion revolves around Capa’s inexperience as a photographer. The Spanish Civil war was his first and he often didn’t caption or take notes about where and when he took his photos. His editors many times had to guess where his pictures were taken. Further complicating things is that there is no negative of “Falling Soldier” known to exist.
The first accusations came from O.D. Gallagher, a South African-born journalist who was also covering the war. In an interview he gave for the book, The First Casualty: From the Crimea to Vietnam; The War Correspondent as Hero, Propagandist, and Myth Maker (1975) Gallagher claims that “at one stage of the war he and Capa were sharing a hotel room. … there had been little action for several days, and Capa and others complained to the Republican officers that he could not get any pictures. Finally … a Republican officer told them he would detail some troops to go with Capa to some trenches nearby, and they would stage some manoeuvres for them to photograph.” However, Gallagher’s account was discounted when in a later interview for another book the 1978 Jorge Lewinski work, The Camera at War, Gallagher claimed that Franco’s troops, not Republican ones, had staged the photo. Controversy has continued to surround the image. The most recent accusations have been levelled by research carried out by José Manuel Susperregui for his book “Shadows of Photography”.
Susperregui by studying the background images of the surrounding hillsides was able to determine that the image took place near a village called Espejo. There was some intense combat near Espejo in late September but no fighting occurred around the 5th of that month when Capa was in the region. This lead Susperregui to conclude that the photo was staged because there were no battles when the picture was taken. Capa’s supporters have replied that the image might be of a sniper hit behind enemy lines but Susperregui disregards these criticisms because there was no documented use of snipers on that battlefront.
When the Gallagher debate emerged the issue was resolved when in August 1996, Rita Grosvenor, a British journalist reported that Spanish historians were able to determine that on September 5, 1936, the only soldier that was killed in battle at Cerro Muriano was one Federico Borrell García. Borrell’s younger brother, Everisto, confirmed the identification. However, Susperregui in his research noted that the Cerro Muriano battleground was in “a wooded area, with century-old trees,” not at all like the open hillside shown in Capa’s photograph. He backs this up with an obscure anarchist magazine article first published in 1937 that states Borrell was hit while positioned “behind a tree”. The article quotes fellow soldiers saying they remember that “I can still see him stretched out behind the tree that served as his barricade, with his unruly hair falling over his face and a trickle of blood dripping from his mouth.”
Magnum Photos the company that Mr. Capa was a co-founder of has used the 1996 revelation of the identity Federico Borrell García as the final proof that the photo was authentic. Although they have not responded to Susperregui’s accusation there has been some recent forensic evidence that supports the photo is indeed one of a man dying.
When asked to view the images, Captain Robert L. Franks, the chief homicide detective of the Memphis Police Department, made an interesting observation. Zooming in on the left hand you can observe that the fingers form a claw with fingers curled towards the palm. This indicates that there is some sort of muscle spasm. It is almost impossible for any person to resist the impulse of while falling to splay your fingers and stick out your wrist to break your fall. To claim that Capa trained the man to fake that reflex seems unlikely.

Other famous pictures

Copyright to this photo is managed by Magnum: Fallen Soldier by Robert Capa

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D-day soldier in the water

Behind the camera: Robert Capa
Where: ‘Easy Red’ beach on the American Omaha beach of Normandy
Photo Summary: Edward Regan or Huston “Hu” Riley lying in the surf while trying to make it to Normany’s ‘Easy Red’ beach
Picture Taken: June 6, 1944 (D-Day)

Es una cosa muy seria (This is a very serious business)
-Robert Capa during D-day

Robert Capa had made a name for himself as a war photographer that had covered the Spanish civil war and the Second Sino-Japanese War. To escape the Nazi’s he moved to New York where he became a photographer for the Allies. On D-Day June 6, 1944, the Allies started their much-anticipated invasion of mainland Europe. Hitting the beaches with American troops Capa, while dodging intense German fire, was able to take 106 pictures before returning to London to develop his photos. Unfortunately, an incident in the London photo development labs caused all but 11 of his 106 pictures to be destroyed. This shot of a soldier in the water is considered the best and shows the true nature of the Normandy invasion. Steven Spielberg was so inspired by this shot that for the Saving Private Ryan movie he tried to duplicate the conditions shown in the photo.

Taking the photo

Life magazine published the surviving 11 pictures with a caption that explained that the “immense excitement of [the] moment made photographer Capa move his camera and blur [his] picture.” Capa always resented the implication but it probably influenced the naming of his 1947 memoir, Slightly Out of Focus. In his memoir he remembers that day:

The flat bottom of our barge hit the earth of France … The boatswain lowered the steel-covered barge front, and there, between the grotesque designs of steel obstacles sticking out of the water, was a thin line of land covered with smoke — our Europe, the ‘Easy Red’ beach.
My beautiful France looked sordid and uninviting, and a German machine gun, spitting bullets around the barge, fully spoiled my return. The men from my barge waded in the water. Waist-deep, with rifles ready to shoot, with the invasion obstacles and the smoking beach in the background gangplank to take my first real picture of the invasion. The boatswain, who was in an understandable hurry to get the hell out of there, mistook my picture-taking attitude for explicable hesitation and helped me make up my mind with a well-aimed kick in the rear. The water was cold, and the beach still more than a hundred yards away. The bullets tore holes in the water around me, and I made for the nearest steel obstacle. A soldier got there at the same time, and for a few minutes, we shared its cover. He took the waterproofing off his rifle and began to shoot without much aiming at the smoke-hidden beach. The sound of his rifle gave him enough courage to move forward, and he left the obstacle to me. It was a foot larger now, and I felt safe enough to take pictures of the other guys hiding just like I was.
I felt a new kind of fear shaking my body from toe to hair, and twisting my face. [seeing a landing craft] I did not think and I didn’t decide it, I just stood up and ran toward the boat. I knew that I was running away. I tried to turn but couldn’t face the beach and told myself, ‘I am just going to dry my hands on that boat.’

Inside the landing craft, he returned to the ships further offshore and promptly fell asleep with the undeveloped 106 pictures that he had taken with his two Contax cameras. Upon arriving back in the UK he quickly sent his four rolls of film off to London and with his pictures off and his courage restored he tried to make it back to the beaches.
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Lab disaster


Capa The Magnificent Eleven

Of all the photographers sent out with the Allied invasion, only Capa had taken any sort of photos that showed what looked like the invasion that was being broadcast over the radio. Other photographers were either foiled by weather from taking any decent shots or landed on beaches that faced little German opposition. When Capa’s images came in Life editors were desperate for any type of action shots and when the package finally arrived in London orders were to rush the development.
The pressure got to the LIFE staff and John Morris remembers that a young boy, Dennis Banks, was given the task to develop the film. As LIFE staff started ringing asking where the images were Morris remembers that the young Dennis came running up the stairs and into his office, crying. “They’re ruined! Ruined! Capa’s films are all ruined!” Dennis then proceeded to choke out an explanation that he had hung the film to dry but in order to speed up the process he had closed the doors to the drying room. Without ventilation, the emulsion had melted most of the exposures. However, on further inspection, it was revealed that not all were ruined as on the end of the fourth roll 11 images were salvageable. It was these images that were the only record of fierce German resistance the Americans suffered during the Normandy invasion.

Robert Capa


Some of the Capa 11 used by LIFE
Robert Capa was born on October 22, 1913. He was born with the name Endre Ernő Friedmann in Budapest, Hungary. When he was 18 he left Hungary for Germany but when the Nazis took power he emigrated again to Paris. It was from Paris that he went to Spain to cover the Spanish Civil War. After Franco defeated the Republic Capa returned to France until the Nazi invasion upon where he left for America. He went on to become a celebrated war photographer covering five different wars: the Spanish Civil War, the Second Sino-Japanese War, World War II across Europe (He was the only “enemy alien” photographer for the Allies), the 1948 Arab-Israeli War, and the First Indochina War. His two most famous pictures are the, Falling Soldier and this image of the 1944 D-Day Normandy invasion. In 1947, Capa co-founded Magnum Photos with, among others, the French photographer Henri Cartier-Bresson. Magnum Photos was the first cooperative agency for worldwide freelance photographers. In 1947 Capa travelled to the Soviet Union with his friend, John Steinbeck. When he was leaving the country Soviet officials wanted to look through his undeveloped images. Capa refused to give them access unless Yevgeny Khaldei developed them. Capa had befriended the photographer while the two covered the Potsdam Conference and the Nuremberg Trials together. Both men were hard-drinkers and recognized as playboy lady killers.
On May 25, 1954, at 2:55 p.m. Capa was with a French regiment in Vietnam when he left his jeep to take some photos. While walking up the road he stepped on a land-mine and lost his leg. He was quickly rushed to a small field hospital but was pronounced dead on arrival due to massive trauma and loss of blood.

Who is in the picture

The man lying in the surf was identified as Edward Regan. Regan remembers that he, “was in the second wave and landed at H-hour plus forty minutes … there were so much chaos and mass confusion that one was reduced to a state of almost complete immobilization” Regan was in Company K of the 116th Infantry Regiment’s 3rd Battalion. However, the daughter of another soldier, Alphonse Joseph Arsenault, claims that the person in Capa’s photo is in fact her father that is lying in the surf and historian Lowell Getz claims that his research shows that the man is Huston Riley. Riley claims that Capa actually helped him out of the water, “I was surprised to see him there. I saw the press badge and I thought, ‘What the hell is he doing here?’ ” he said. “He helped me out of the water and then he took off down the beach for some more photos.”

Copyright info


Copyright to this photo is managed by Magnum D-Day soldier by Robert Capa

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