Falling Soldier
From FamousPicturesMagazine
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| Picture Taken On: September 5, 1936 around 5:00PM |
Place: It was for decades thought that the shot was taken at Cerro Muriano on the Cordoba Front. However new research has determined that the photo was taken 30 miles (50 km) away, near Espejo, a Cordoban town |
Behind the Camera: Robert Capa |
Picture Summary: A Spanish Republican (Loyalist) soldier supposedly the moment he is struck by a bullet. The soldier was identified as Federico Borrell García based on the assumption the photo was taken at Cerro Muriano. |
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| First Posted: Last Updated on 2012-3-18 by Dean Lucas |
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| If your pictures aren't good enough, then you're not close enough. --Robert Capa | 
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Capa, a photo journalist, arrived in Spain in August 1936 to cover the Spanish Civil War, which had broken out a few weeks before. During his coverage as a war photographer he took the famous Falling Soldier image. The image came to symbolize the Civil War between the Spanish government and General Francisco Franco’s fascist rebels. In World War II Capa would later take another famous image on the D-day Normandy beaches.
Taking the photo
The original title was Loyalist Militiaman at the Moment of Death, Cerro Muriano, September 5, 1936. The Falling Soldier was first published in the September 23, 1936, issue of the French magazine Vu. The Vu article read, “With lively step, breasting the wind, clenching their rifles, they ran down the slope covered with thick stubble. Suddenly their soaring was interrupted, a bullet whistled — a fratricidal bullet — and their blood was drunk by their native soil.” There was no mention in the article on where the picture was taken. Then on July 12, 1937 Life magazine published an article with the Capa image and the caption, “Robert Capa’s camera catches a Spanish soldier the instant he is dropped by a bullet through the head in front of Córdoba.”
Robert Capa
Robert Capa was born on October 22, 1913. He was born with the name Endre Ernő Friedmann in Budapest, Hungary. When he was 18 he left Hungary for Germany but when the Nazi's took power he emigrated again to Paris. It from Paris that he went to Spain to cover the Spanish Civil War. After Franco defeated the Republic Capa returned to France until the Nazi invasion upon where he left for America. He went on to become a celebrated war photographer covering five different wars: the Spanish Civil War, the Second Sino-Japanese War, World War II across Europe (He was the only "enemy alien" photographer for the Allies), the 1948 Arab-Israeli War, and the First Indochina War. His two most famous pictures are the, Fallen Solider and his image of the 1944 D-day Normandy invasion. In 1947, Capa co-founded Magnum Photos with, among others, the French photographer Henri Cartier-Bresson. Magnum Photos was the first cooperative agency for worldwide freelance photographers. In 1947 Capa travelled to the Soviet Union with his friend, John Steinbeck. When he was leaving the country Soviet officials wanted to look through his undeveloped images. Capa refused to give them access unless Yevgeny Khaldei developed them. Capa had befriended the photographer while the two covered the Potsdam Conference and the Nuremberg Trials together. Both men were hard-drinkers and recognized as playboy lady killers.
On May 25, 1954 at 2:55 p.m. Capa was with a French regiment in Vietnam when he left his jeep to take some photos. While walking up the road he stepped on a land-mine and lost his leg. He was quickly rushed to a small field hospital but was pronounced dead on arrival due to massive trauma and loss of blood.
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Faked?
Starting in the 70s historians began to question the authenticity of, Fallen Solider image. Much of the confusion revolves around Capa's inexperience as a photographer. The Spanish Civil war was his first and he often didn't caption or take notes about where and when he took his photos. His editors many times had to guess where his pictures were taken. Further complicating things is that there is no negative of “Falling Soldier” known to exist.
The first accusations came from O.D. Gallagher, a South African-born journalist who was also covering the war. In an interview he gave for the book, The First Casualty: From the Crimea to Vietnam; The War Correspondent as Hero, Propagandist, and Myth Maker (1975) Gallagher claims that “at one stage of the war he and Capa were sharing a hotel room. ... there had been little action for several days, and Capa and others complained to the Republican officers that he could not get any pictures. Finally ... a Republican officer told them he would detail some troops to go with Capa to some trenches nearby, and they would stage some manoeuvres for them to photograph.” However, Gallagher's account was discounted when in a later interview for another book the 1978 Jorge Lewinski work, The Camera at War, Gallagher claimed that Franco’s troops, not Republican ones, had staged the photo. Controversy has continued to surround the image. The most recent accusations have been levelled by research carried out by José Manuel Susperregui for his book “Shadows of Photography”.
Susperregui by studying the background images of the surrounding hillsides was able to determine that the image took place near a village called Espejo. There were some intense combat near Espejo in late September but no fighting occurred around the 5th of that month when Capa was in the region. This lead Susperregui to conclude that the photo was staged because there was no battles when the picture was taken. Capa's supporters have replied that the image might be of a sniper hit behind enemy lines but Susperregui disregards these criticisms because there was no documented use of snipers on that battle front.
When the Gallagher debate emerged the issue was resolved when in August 1996, Rita Grosvenor, a British journalist reported that Spanish historians were able to determine that on September 5, 1936 the only solider that was killed in battle at Cerro Muriano was one Federico Borrell García. Borrell's younger brother, Everisto, confirmed the identification. However, Susperregui in his research noted that the Cerro Muriano battleground was in “a wooded area, with century-old trees,” not at all like the open hillside shown in Capa’s photograph. He backs this up with an obscure anarchist magazine article first published in 1937 that states Borrell was hit while positioned “behind a tree”. The article quotes fellow soldiers saying they remember that, “I can still see him stretched out behind the tree that served as his barricade, with his unruly hair falling over his face and a trickle of blood dripping from his mouth.”
Magnum Photos the company that Mr. Capa was a co-founder of has used the 1996 revelation of the identity Federico Borrell García as the final proof that the photo was authentic. Although they have not responded to Susperregui's accusation there has been some recent forensic evidence that supports the photo is indeed one of a man dying.
When asked to view the images Captain Robert L. Franks, the chief homicide detective of the Memphis Police Department, made an interesting observation. Zooming in on the left hand you can observe that the fingers form a claw with fingers curled towards the palm. This indicates that there is some sort of muscle spasm. It is almost impossible for any person to resist the impulse of while falling to splay your fingers and stick out your wrist to break your fall. To claim that Capa trained the man to fake that reflex seems unlikely.
Copy Right Info
This image is handled by Magnum Photos an photo agency that was formed by Robert Capa in 1947, with Henri Cartier-Bresson, William Vandivert, David Seymour, and George Rodger.
This image, Falling Soldier, can be purchased from their website at magnumphotos.com
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 Falling Soldier |  Bloody Saturday |  Escaping over the Taedong Bridge |  Killer Man |
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Jan 15 2011 9:56 pm
Indeed,the palm curl is convincing forensic evidence. Also, note the position of the falling man. He would run a very strong risk of injuring his back falling in that position. What person would risk serious back injury by falling on that hard-looking ground for a little money? Also, notice that tuft of hair (scalp?) flying up just back of the forehead. How could that be staged? And notice how loosely the rifle is being grasped. In a staged photo the subject would most likely be clutching it tightly. Finally, doubters wonder whether a real soldier would have been wearing a white shirt to battle? Two answers here: 1) It's early in the war, lots of soldiers hadn't been issued uniforms as yet. He may have been a militia man, drafted right from his shop or office. Even more convincing 2) If you're going to fake a photo of a soldier in battle, wouldn't you do your best to make him look like a soldier, i.e. put him in a uniform? (I'm sure that any number of military people at the time would have been glad to lend Capa a uniform to heighten authenticity.) After all these years, I still feel pity for this brave, anonymous man. Stanley Sandler
Dec 30 2011 2:29 am
There is absolutely no doubt that this photo is a fake but there is so much money involved in the estate of the photographer that no organization of any repute will admit it since it is the foundation of photojournalism today. It's a bit like The Turin Shroud...but more so for the photography industry.
There are scores of photographs taken by Capa during the civil war showing different soldiers falling backwards apparently 'shot' again and again and again, often using the same volunteers, all of them taken whilst the photographer was (theoretically) between the 'enemy' and the soldier In other words, in no-mans land! Absolutely ludicrous! The problem is that the estate owns all the rights to publication and own the negatives which they will not release for examination, and anyone who dares publish these photographs without permission is asking for a huge lawsuit from a massive industry built on Capa's reputation. Basically...the story of this photograph is buried!!
Capa became a great war photographer due to this photograph and was undoubtedly brave ...but this IS a fake and any photographer who sees the series of images will understand that.Dec 30 2011 2:35 am
Just a note to the poster above who mentions 'the tuft of hair' thrown back...I've seen a very large print of the photograph and it's not a tuft of hair, it's a feather or a symbol attached to the beret.