Bill and Monica
When the Bill Clinton Monica Lewinsky story broke the news media used the same video clip, the one with Monica in a beret, endlessly repeating behind the talking heads. Hungry for more images of the two together media researchers scrambled through their archives to find another Monica and Bill needle in a photo haystack. That’s when, Time magazine photographer, Dirck Halstead entered the picture. He knew that he had seen Monica’s face and hired a researcher to pore over thousands of images until she found the image he remembered taking. Halstead had taken this picture at a 1996 fundraiser in Washington. When he showed it to TIME they sat on it for months waiting for Lewinsky story to become front page news. When Monica decided to go to the prosecutors, and offer her testimony, the story was page one material and TIME made this image iconic by making it their cover shot.
In 1995, Monica Lewinsky, a graduate of Lewis & Clark College, was hired to work as an intern at the White House during Clinton’s first term. While at the White House her and Bill Clinton, while not engaging in sexual intercourse, participated in various sex acts, including getting his salad tossed! Bill Clinton perhaps realizing the danger of such a relationship puts the relationship on ice and had Monica transferred to the Pentagon to a $32,700 job as the confidential assistant, with top-secret clearance.
Around this time Monica was asked if she had an affair with the President by lawyers of the Paula Jones case, a sexual harassment case against the President. When Monica’s friend Linda Tripp found out Lewinsky lied to the Paula Jones people she gave secret recording that Tripp had made of Monica admitting the affair to Kenneth Star. Starr used Monica Lewinsky lying under oath as a way to impeach the President Bill Clinton. During the infamous trial he was eventually forced to admit the sexual affair but was acquitted on all impeachment charges of perjury and obstruction of justice during the 21-day Senate trial.
Monica on the rope lines
As Bill and Monica’s relationship began to wane Bill would see less and less of Monica. Almost to the point of stalking Monica tried to keep the flame alive by showing up at various events to get face time with the President. Later talking about her behaviour she would recall that, “I’m an insecure person … and I was insecure about the relationship at times and thought that he would come to forget me easily … So I made an effort. I would go early and stand in the front (at ropelines) so I could see him.” This is how sharp eyed researches found the “Beret” clip of Bill hugging Monica on November 6, 1996, the day after Clinton was re-elected. That clip was used endlessly by the news media to the point that the President of CNN would later apoligize. Rick Kaplan, who served as President of CNN (1997-2000) was a good friend of President Clinton and has been quoted as saying it was a “big mistake” for CNN to show its exclusive footage of, “The Hug”, “Clinton probably gave 79 other hugs on that line,” said Mr. Kaplan, noting that Al Gore “also gave God knows how many hugs–not that anyone would care.”
Taking the picture
Again at a Saxophone Club fundraiser at the Washington Sheraton Monica waited at the rope line in hopes of getting some physical contact with Bill. Dirck Halstead recounts what happened next:
The circumstances behind that photograph was that in the last days of the campaign in 1996, the President was making an appearance before what they called the Saxophone Club which were young democrats. And I–at the end of the speech he went down into the crowd to work the line. When that happens, and it happens every presidential event, the photographers who had been on the floor in front of the president are brought up on the stage that he’s just left. And so our position then is on the stage, looking down on the president as he walks through the crowd. And I–somewhere in the process that night … something triggered something and I– took a picture and didn’t think anything more about it.
The reporters raced to the White House archives to discover what Clinton said on that day; he said these dubious words, “I was tired when I walked in, but I’m not tired any more. You’ve given me a lot of energy.”
After the scandal it was hard for Monica to get any kind of work. She was able to publish a successful book and was paid around $1,000,000 from the rights for her famous Barbara Walters interview, at 70 million viewers the second highest watched news program in history (The first is Oprah’s prime-time interview with Michael Jackson) but most of that went to legal fees and high cost of living now that she was a celebrity. There was a failed Jenny Craig spokesman gig and for a while she ran an Internet hand bag store and had some success as a reality TV show star. Eventually she couldn’t take the constant media pressure and moved to the UK, graduating with a master’s degree in social psychology from the London School of Economics in 2006. Anonymous Monica friends have been quoted as saying that, “no one will hire her and she can’t get a job because of Clinton.”
In late 2012 the press broke a story about an upcoming tell all book where supposedly Monica was getting paid $12 million but as of June 2013 there hasn’t been anymore news. When Barbara Walters talked about retiring in 2014 she said that she wanted to do one more interview with Monica “I wouldn’t mind if my last one was Monica Lewinsky… she hasn’t been seen and I think she is a good person. I wouldn’t mind doing an interview with her again.”
It’s ironic to me that after covering presidents and wars and films that probably, in the short term at least, my legacy is going to be having taken the picture of Monica Lewinski hugging President Bill Clinton.
Dirck Halstead first got his start covering the Guatemalan revolution of 1954. While working for TIME (1972-2001) his pictures graced its cover 54 times. Halstead is a big pusher of picture ownership and cites this photo as the reason that all photographers should keep ownership of their photos.
TIME have first-time rights on the photos. Once they have gone through the take, and pulled a few selects for the TIME-LIFE picture collection, the take goes to my agent, GAMMA-LIAISON. They then comb the take a second time, and pull their selects. Eventually, the take comes back to me, and resides in my light-room until I sort through it again, then send everything to the University of Texas, which is where my archives reside. Because I am busy, I only get around to sending the pictures to Texas about every 18 months … That is why ownership of your photographs is SO important. The simple fact is that no organization has the “memory of the image” that the photographer who took it has. The people who want “work for hire” from photographers, also disassociate their greatest asset from the thing that they have to sell.